Rock star Conrad Birdie is the biggest thing to top the charts. Women love him, men want to be him and teenage girls around the country scream with glee at the mere mention of his name. But when the United States Army drafts Birdie, manager Albert Peterson sees his meal ticket preparing to fly the coop much to the delight of longtime love Rose Alvarez, who can't wait for Albert to ditch the music biz and become something respectable, like an English teacher. Desperate for a publicity stunt big enough to help them survive Birdie's departure, Albert and Rose hatch a plan: send Conrad to small-town America to plant his goodbye kiss on one lucky fan for the entire world to see. Their selection of super fan Kim Macafee sends the wholesome enclave of Sweet Apple, Ohio into chaos.
Just to lay my biases out there, I am a summer camp person. I went to summer camp, I love summer camp, I wish I could go back to summer camp. I say moony-eyed, you may say unbearably annoying: you do you. I am admittedly, proudly, a prime target for all fictions about summer camp because I am automatically on board with their basic premise: Summer camp is the best and most magical and most heightened place and we should all be there all the time.
As the Cyndi Lauper song catchily blared, girls just want to have fun. And one of them — writer-director Augustine Frizzell — wants girls to have their own Texas-baked, Linklater-smoked-and-exhaled female buddy romp. It sounds heartening, like what a couple of small-town pleasure-seekers new to independence might do to obliterate the outside world of crappy jobs and broke-ass-ness. And while nobody on their own at 16 probably has an enviable backstory, none is provided for Angela and Jessie, as if Frizzell believes doing so would unnecessarily sentimentalize them. It helps that Australia-born Mitchell, whose vibe is edgy and more calculating, and the softer-featured Morrone are slyly gifted physical actors, as infectious with the shared relief of grocery-store air conditioning on a sticky Texas day as they are seconds later when Angela righteously pops off on an old man in an aisle who calls them whores.
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